This thesis looks to question the preexisting singular notational systems and tries to merge them together to create a comprehensive analytical tool for gauging the interactions between architecture and the human body. By studying the basic principles of dance notations by Ecole de Beaux Arts trained Rudolf Van Laban to the post-modern experiencial architectural notations by Halprin, Lynch and Theil, this work will explore how and why a current notation has not previously existed as well as find a break through in a new architectural method of thought.