This book sets out to explore the connections between megalithic monuments and Rock ÔnÕ Roll music by first addressing what the megalithic structures would have originally meant to the builders and users of these sites and at the statements they were making at that time.
It then looks at how Rock ÔnÕ Roll artists have incorporated images of these monuments into album cover designs by looking at specific examples, in an attempt to understand why, despite being separated by millennia from the original builders, they chose to use such places to represent the statements they are making through their music in the late 20th and early 21st centuries.