A collection of 26 modified Polaroid photographs, partially collaged, drawn upon or painted over. The series helps to identify the pictorial answers coping with visual sensations or to follow a thread of thought put into images. The aim is to replace the notion of art and the art work by an iconographic redefinition capable to support the thinking (Duchamp). The images contain a kind of strangeness, a disturbing element disquieting the spectator/reader who is confronted to a series of elements taken from one's everyday life which, being put one next to each other, provoke, suddenly, an incoherent situation, a source of obscurity and vagueness.