The social media and the proliferation of mobile and home electronic devices have led to dramatic changes in how consumers access cultural expressions (whether via purchase or sharing) and the way firms select, (re)produce and market cultural expressions.
This book addresses questions of access to cultural expressions, the historical evolution of authorsÕ rights, the current Spanish intellectual property regime and the social construction of music markets.
This book will be of particular interest to social science researchers seeking interdisciplinary insights into the social construction of markets from the economics, management, marketing, law and sociology perspectives.