In this world of cheap visual proliferation, weÕre forced to make quick binary judgmentsÑi.e., real/fake, good/bad, man/womanÑwhich often leave us feeling disempowered and reduced to slotting. In the 13th installment of the Walker Art Center's Artist Op-Eds series, composer and visual artist Jules Gimbrone proposes what they term Trans-Sensing as a model for a more nuanced way of experiencing the world, one that transcends the quantitative binary of real/fake and doesnÕt rely on the categorical flattening of complexity that comes with merely seeing.